With the drop of the needle on a brand new turntable my son bought me for Christmas, “Where Did Our Love Go?” by the Supremes blasted from the shoebox-sized speakers on my desk. Static, crackling noises, and the occasional skip over a story-there-somewhere scratch in the vinyl all contributed to a 33-rpm rewind into the past. I danced and sang as if no time had passed since my parents had given me my first two rock-n-roll albums in 1965. I soon followed the Supremes with the Beatles IV album. My husband and son seemed to fade into view as I reverted to my ten-year old self. Musical nostalgia worked its magic fingers into my heart and soul.
When I was young, my parents played music in our living room on a stereo that was as long as a bathtub, but not as wide. One of the first albums my parents bought specifically for me to play on the living room stereo was Burl Ives Sings Little White Duck. Am I fascinated today with ducks and all things feathery because of this? Is Burl Ives responsible for my obsession with listening to a song repeatedly until I am sick of it? I still have the album. I’m resisting the urge to play it right now on my new turntable.
Matt’s gift to me triggered memories that I had long forgotten. Daniel Levitin in The World in Six Songs, suggests that “music triggers memories long ago buried, and this seems especially true of popular love songs” (278). While growing up in Dodge City, Kansas, my mom, dad, and I listened to music on the stereo and in the car. Radio station KGNO catered to my parents’ crowd, but I loved listening to KEDD, “The Rock of Dodge City,” on the AM radio dial. On television, we watched The Lawrence Welk Show, The Ed Sullivan Show, Hee Haw, Shindig, The Monkees, and any show we could find that focused on music. I learned the ways of love by listening to music in my home and car. Music created a different version of an idealized fairytale romance than books did, well, at least the books I was reading. Is there anything more romantic than listening to George Harrison sing “Something” as you sit in your bedroom and contemplate life? If the bedroom walls in the house I grew up in could talk, they would tell you about a dreamy-eyed teenager who spent an enormous amount of time imagining her life, framed in a song.
I could also dream on the dance floor when I ventured out to listen to Dodge City bands live. Friar Tuck and the Monks at the National Guard Armory! Birth live and on-stage at the Warehouse! Their covers of popular dance songs, and especially love songs I was sure were being sung to and for me, further sent me spiraling upwards to the land of all things musical, and downward into an avoidance of anything called homework. Whenever I hear a song from my past, a story always seems to mirror the lyric of the song.
If “memory wants to be true to the way things are, but it also wants to tell a story that suits the teller” (162), according to Charles Fernyhough in Pieces of Light, then some of my stories seem a bit confusing to me now. Why was I so obsessed with Grace Slick? As soon as I got home from school during the week, and long before my parents would arrive home from work, I would rush to the stereo, insert a spider (45-rpm adapter) into the record, slide the record down upon the spindle, let the music begin to play, and then sing and dance. Yes, I was that weirdo. I played “White Rabbit” and “Somebody to Love” while I worked on my best Grace Slick impersonation. Was it just her voice that compelled my fascination with those songs, or the forbidden desire for an altered state of mind? Or did I just want a very cool boyfriend who could play a rocking guitar? The story I would tell today that would suit my older and wiser self is that I loved the freedom of belting out a song about love in my house, and singing “White Rabbit” made me feel very cool and dangerous at the time. When my parents were home, I played music in my room, and in our small 1940s farmhouse with paper-thin walls, I started to believe my name was “Turn it down.” When I sang with my mother in the kitchen, we were as loud as we wanted to be.
My mother and I both loved to sing, and she taught me the art of making up silly songs in the kitchen while doing dishes or eating fried carrots as fast as she could make them. My father would sit in the living room, a mere twenty feet away, smoke his cigar and drink a Coors beer after a hard day’s work. I think he enjoyed hearing us as we became giddy with laughter at our nonsensical verse. We could really cut a rug in that tiny kitchen.
When my son was growing up, I realized that music was another way in which we could spend time together. I liked playing with cars and Legos, but music had a way of working its way into our lives every day. We played music constantly in our house, and Sesame Street worked its way into our daily lives. I can sing “C is for Cookie” and “Rubber Duckie” to this day, and my son is 35 years old. I also started making up songs just for my son. I still make up instant songs, and I wrote songs for the workplace band I used to be in.
Over the holidays, we were visiting the neighbors and their extended family, and my 88-years-young neighbor mentioned a song I wrote, “Radio.” I had performed the song with the band, The Cremains of the 10th Circle, when they visited my home a few summers ago. She and some of her family members, friends, and neighbors, had attended our basement rock-and-roll party. Perhaps this was my Grammy-award-winning moment. Someone remembered a song I wrote and performed. Hold the applause, and pass me a beer!
Rod Stewart sings that “Every Picture Tells a Story,” and I believe that every song I love has a unique story hiding behind the lyrics if I am willing to pay attention to it. My memories of the first time I heard Stevie Ray Vaughan’s song “Texas Flood” are a bit muddled though. Even though I cannot remember what radio station I heard it on, or where I was at the time, I remember thinking that I had just fallen in love with a song, a guitarist, and singer. I could not get enough of that song. Is there a difference in our memory-making process when we are older as far as falling in love with a song? I wonder.
I still love the Beatles and the Supremes, and I easily time-travel to that space and time when I could dance and sing in my house and feel nothing but love and joy surrounding me. Yes, there were many, many nights I listened to songs of heartbreak in my room as I grew up and teenage boys messed with my heart, but I also played songs that forced me to get up and dance.
When I was with my cousins in Tulsa, Oklahoma, last September, Sybil played “Uptown Funk” by Bruno Mars on her phone for us. I have the song on my running playlist, so I knew the song well. We all began to do some sort of version of dancing. We had it. We owned it. And now whenever I hear that song, I am safe in the arms of music nostalgia. How will I tell this story ten years from now?
For the moment I think about my mother, and how she would have joined us jitterbugging our way around my cousin Audrey’s house that day. I am fortunate that my parents, especially my mother, loved music so much that it was a necessity, like bread and water, in our daily lives. So even though the Supremes “Where Did Our Love Go?” and the Beatles “Words of Love” may have opened my eyes to the ways of love, I believe that songs I have yet to hear will be teaching me many more things as I dance and sing my way into the unknown.