Basement music

Basement music

The morning’s gray sky dripped with humidity and the promise of rain. I could not wait for the rest of my day to get started. The members of the band I used to be in were coming to my house to play music. For several years, I had dreamed of the ReCremains reuniting and playing music on my lawn with Higgins Lake as the background. Mother Nature laughed at this plan. After 1.5 inches of rain fell, I stared at the large green sponge that used to be my lawn. This was no place for electrical equipment. We would have to rock in the basement instead.

One of my former students, Christi, arrived first. Bandmates Lori and Kirker arrived soon afterwards and began unloading equipment from their car. Their amps, guitars, cables, and percussion instruments were added into the mix of my guitars, amps, piano, and keyboard. After figuring out a plan for setting everything up, we warmed up our fingers and voices by playing a few songs. Our friends, Peggy and John, arrived to watch the band perform. We chatted in between songs and awaited the arrival of Mike, Bill, and their families. We needed our piano man and our bass player.

Even though I was among friends and at my own house, I had performance anxiety. I had not practiced with the band for over a year. When I retired from Saginaw Valley State University in 2010, and my husband and I moved to Higgins Lake in 2011, the commute to SVSU became problematic. When my SBT (Stupid Brain Tumor) tried to take over my life, I wasn’t even sure if I could play guitar again.

There is something to be said for both a runner’s high and the way one’s brain works on music. When I was recovering from brain surgery, I soon realized that I always felt better when I ran every day and listened to music. I finally attempted to play guitar. Again. I started writing songs. Again. I read and reread books such as This is Your Brain on Music by Daniel J. Levitin and Musicophilia by Oliver Sacks. I soon discovered that although I could not remember things that happened six months prior, I could remember the words to practically any song I had ever heard whether it was Sinatra or Stevie Ray Vaughan. Music was the fix I needed; it was stronger than any medicine could ever possibly be.

After everyone else arrived, plus our neighbors from next door and my mother-in-law, Mike sat down at the piano, Bill fired up his bass guitar, and we began to play. I wished for our former drummer Frank, but he now lives in Virginia. I don’t remember what song we played first, but between songs, I spoke into my microphone: “I am so happy.” I repeated this many times throughout the afternoon and evening.

We ran through a bunch of our original songs, and when we played “Radio,” a song I had written years ago for the band, my fingers flew across my guitar, and my voice felt strong. We continued playing original songs we had written over the years: “Monkey Groove,” “Cream City,” “Carnival Clown,” “Swamp in My Heart,” “A Happenin’ Place (If You Happen To Be Dead),” “Highway Michigan,” “Lather, Rinse, and Repeat,” and so on. Occasionally we sang a cover song by the Stones or the Beatles. Christi sang Blondie’s “Rip Her to Shreds.” At some point, Peggy picked up a cowbell and joined us as we made merry music. We played “Brown Eyed Girl” by Van Morrison for Peggy since she had requested it. We also received requests for an Elvis song, and Bill broke out some major bass moves while singing “Jailhouse Rock.” Bill’s granddaughter Alara requested “The Alphabet Song” and “Wheels on the Bus.” We gladly obliged. She sang along and danced. Similar to a runner’s high, playing music had kicked my mind into happiness overdrive.

Eventually we knew it was time to stop. We were all exhausted. Although we had taken a break to eat dinner, we had been playing music for close to four hours. Or was it longer? My legs felt as if they might break. My voice was hoarse from singing and yakking into the microphone between songs. My neighbor, Jessica, suggested stand-up comedy might be in my future. I may seriously consider that. Not!

When I went to bed that night, even though I was exhausted, it took a long time for me to fall asleep as I relived the night’s musical madness. The next morning, I went down to the basement and looked around. The room that had been alive with music and mayhem seemed different now. Better. I had rocked in this basement with friends.

When I still taught at SVSU, author Ken Follett came to campus one year. My husband and I were lucky enough to be invited to the meet-and-greet. Instead of talking about writing, we ended up having a short conversation about playing guitar. He said that playing in a band made him a much better player. I realized this was true. The more I played music with Mike, Frank, Bill, Kirker, and Lori, the better I wanted to be as a musician and a songwriter. When Brei and Danielle, two SVSU students at the time, sang with us for a short while, I wanted to be a better singer, although I knew my alto voice could never compete with their vibrant sopranos. Despite this, I began to feel more confident.

Although Mike still encourages me to play lead guitar licks during songs, I still freeze up the moment he motions towards me. I am happy playing rhythm guitar and singing. I know I am the worst musician in the band, but they put up with me. They also seem to like the crazy songs I write, and with guidance from members of the band, those songs have become better than when I penned them as I sat alone with my guitar.

I am already planning on next year’s event: August 2015, on the lawn, under the light of a bright full moon. I am thinking of songs we could cover: “Moondance,” “Werewolves of London,” and “Fly Me to the Moon.” But it is the ReCremains original songs that really highlight the heart and soul of this group of musicians. Our poetry. Our brains on music.

Cremains circa 2010

Cremains circa 2010